Solution: Only apply this specific ‚Lock Dry & Wet‘ setting on the first preset load action after AU instantiation, but always save it with the preset. Solution: Only apply this specific ‚Lock Dry & Wet‘ setting on the first preset load action after AU instantiation, but always save it with the Sounds and looks nice, scales well in AUM.
If i think about the programming implications: This setting itself shouldn‘t be overwritten by loading a new preset, but needs to be in the settings to have it set differently in the multiple instances of the AU on project recall - so how does it get set ? I suggest to use a per instance setting and not a visual button which is more work to integrate. I mainly use the AU in an AUX send bus and there you always want dry=0 and wet=100 regardless of preset or IR As these two seem to have big influence on the sound, it still would be nice to have a ‚Lock Dry & Wet‘ for preset changes. I just tested that one can easily switch through the impulses to find the best fitting one - this keeps the same dry&wet but also the same pre-delay and range. This would make it a lot easier to switch through the presets without having to re-adjust the wet and dry knob for each preset change. I would like to propose a new feature: ‚Lock Dry & Wet‘. REAMP works both as a standalone app and as an AUv3 plugin.Sounds and looks nice, scales well in AUM. Seven handpicked profiles based on gear we love available.įull documentation available inside the app or at.To prevent this, set the HARMONICS switch to SOME or FEW. Since we’re in the digital domain there can be some added aliasing when distorting the signal too much, resulting in an unpleasant high frequency boost. Another is to put it on the mix, or a bus. One approach is to put it on several tracks with a more subtle setting which makes the essence of the gear simulated add upp. The output can span from lo-fi to high-end hifi. Since there are several models available, this one can be used on almost any type of audio in any genre. Tip: Run a Fender Jazz bass through it and your neo soul licks will sound just like they’re supposed to. One of the developers friends dad had an old bass amplifier that we borrowed and profiled.
KLEVGR REAMP PRO
The guitar amp used is a well known pro amp used by several pro guitar players, and Just like the Preamp Tube profiles, these are recorded with two different input gain levels. Info: Die Features con STARK Amp Simulator sind: 12 Verstärker mit Clean- und Overdrive-Kanal, 10 Cabinets in verschiedenen Größen und Sounds, FX Board mit vier Steckplätzen (14 Effekte verfügbar), Sechs Raumtypen mit Konfigurationsmöglichkeiten, Zahlreiche Werkspresets, die die meisten Genres und Stile abdecken und Ultra. Used on only one channel, this profile is very subtle, but the impact adds up when several channels are used simultaneously.
These two profiles are captured from a high end tube microphone preamp with two different input gain levels (normal gain on the Clean version and a boosted level on the Drive version). Adds some subtle tape saturation that oozes mid 70’s. Set to one channel mode, there was plenty of dynamic bandwidth to capture on this one. This profile adds some nice grit in the lower mids and rolls off the higher spectrum in a very pleasant way.Ī high quality tape reel machine was used for this profile.
This data is used to transform input audio to output audio.Ī consumer cassette deck produced in the mid 80’s. The 7 models available are based on real analog gear individually measured in two dimensions gain responses (-inf dB to +6 dB) at the frequency spectrum 20Hz to 20kHz. Benefits of this algorithm is that it is highly CPU efficient and adds (almost) no latency. This effect is a complex spectral saturation processor simulating a set of different analog gear in a new and unique way.
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